The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

A television version of the award-winning stage adaptation of Eugène Ionesco's tragic farce, mounted in 1994 for Moscow's School of Contemporary Plays Theatre and revived for television in 2009.

In this story set in ancient times, 31 women who lost their husbands, fathers, and children in war rise up against their lack of men after many years and demand that the state send them men to marry and have children. Five single men from different regions and cultures are selected at a porter market in Istanbul to marry these 31 women. The selected men, unaware of what awaits them, believe they are going to war. However, the porters, referred to as "human donkeys," find themselves in a completely different adventure instead of the front lines.

When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures in the 12 chairs of a dining-room set. After her death her nephew finds out what she had done and, since the chairs had been "nationalized" and are now in the possession of a dozen different people, he sets out to track them down and get the treasures he believes rightfully belong to him.

The first movie adaptation of the Russian novel "The Twelve Chairs" by Ilya Ilf and Yevgeniy Petrov. The basic idea from this movie, in which a barber and an antique salesman were searching for money hidden in one of of twelve chairs, was later reused for other official and unofficial adaptions of the book

A scrawny chair does gymnastic exercises, an upholstered one puffs and sweats. Hand-drawn animation, burlesque sketches. Early cinema. Then she enters the scene and sits on a chair. Everything is sitting well! 源自：https://www.berlinale.de/en/2024/programme/202415305.html

Ken Loach documentary, contrasting the 1982 Labour and Conservative Party conferences.

A dramatic musical written by Shibata Yukihiro, based on the full-length novel by literary master Stendahl. It depicts the attempts of Julien Sorel, a provincial young man, to rise socially beyond his modest upbringing through a combination of talent, hard work, deception, and hypocrisy.

This film is the true story of the creation of Labin Republic in 1921. When Italy annexed Istria, Labin area that is very rich in coal became strategically important for the new government. Domestic Croatian and Slovene population were disappointed by the method of the Kingdom of Yugoslavia of selling foreigners. Accumulated social problems and the growing terror of Italians lead to great miners' strike, led by favorite union leader Ivan Pipan. The strikers will be join young miner Ive Blazina, who as commander of the Red Guard workers struggles for the mining republic and the love of beautiful Mary Brezac. The sudden intervention of the Italian army destroys their dreams, and resigned Pipan surrenders. But not everyone agrees with his behavior.

A dramatic musical written by Shibata Yukihiro, based on the full-length novel by literary master Stendahl.